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Yoko Ono is a seminal figure in the development of Conceptual art, performance and Fluxus, as well as film and new music. Her artist's book Grapefruit, first published in 1964 in Tokyo by Wunternaum Press in an edition of 500 copies, contains more than 150 works divided into five sections: MUSIC, PAINTING, EVENT, POETRY, OBJECT. These works--conceptual instructions--are the culmination of a process that dispensed with the physical and arrived at the idea.
Since the initial publication of Grapefruit, numerous expanded editions have been produced in many different languages. Today first-edition copies are nearly impossible to find. The Museum of Modern Art has now produced a facsimile of that first edition, making it available again in its original form. This slipcased paperback is produced from the copy of the 1964 book in The Museum of Modern Art Library. It is an exacting replica of Grapefruit as Ono first envisioned it.
Born in Tokyo in 1933, Yoko Ono moved to New York in the mid-1950s and became a critical link between the American and Japanese avant-gardes. Ono's groundbreaking work greatly influenced the international development of Conceptual art, performance art and experimental film and music. In celebration of Ono's 80th birthday in 2013, the Schirn Kunsthalle Frankfurt organized a major traveling retrospective.
- Sales Rank: #2083111 in Books
- Published on: 2015-06-23
- Original language: English
- Number of items: 1
- Dimensions: 5.70" h x 1.40" w x 5.50" l, 1.05 pounds
- Binding: Paperback
- 180 pages
About the Author
Yoko Ono is a musician and multimediaartist. She lives in New York City.
Most helpful customer reviews
79 of 96 people found the following review helpful.
Great book by a misunderstood artist
By matthewslaughter
Since 1968, Yokophobia has prevented people from perceiving reality correctly. Yokophobia was brought on largely because John Lennon was "supposed" to marry a white woman, oh, and, another thing, because the Beatles broke up. Since she has been blamed for this, shattering the delusion that a rock band should last forever (look at the Rolling Stones now for goodness sake!), people have been unusually mean-spirited in their assessment of her work. I can understand why people shy away from her more avant-garde musical output, often consisting of ear-shattering screams (I am one of those sickos that just happens to love it!). But "Grapefruit," one of the most widely distributed pieces of Fluxus-connected/inspired "performance art," is simply irresistible. (Remember, Yoko had a career as an avant-garde artist before she met John Lennon--they met at one of her art exhibits in 1967.) It is serious, excruciatingly humorous and regularly induces smiles--all while simultaneously encouraging its readers to think abstractly, artistically, creatively and irreverently. "Grapefruit" is a breath of fresh sky-blue air from the woman who once asked (on the b-side of John Lennon's "Instant Karma") "Who Has Seen the Wind?"
"Grapefruit" is filled, for the most part, with short, koan-like "pieces" such as "Wall Piece for Orchestra." Yoko directs the piece as follows: "Hit a wall with your head." In "Overtone Piece," Yoko writes, "Make music only with overtones." In the painting pieces section, she instructs her reader, in "Painting for the Wind," to "Make a hole. / Leave it in the wind." In the "events" section, probably the closest here to her performance art, she evokes a giggly pun on "peace" (or maybe "pee") in "Pea Piece," writing, "Carry a bag of peas. / Leave a pea wherever you go." If you find this type of humor and "artistic direction" a waste of time, which many undoubtedly will, then avoid this like the plague. But if you, like me, find this darkly humorous, refreshingly perverse and instructive as to how to live life seriously without taking it too seriously, then "Grapefruit" should find a place on your bookshelf, or, better yet, on your nightstand.
38 of 45 people found the following review helpful.
Master Piece
By Junglies
I bought this book in England in 1970 when it was released with the charming cover of a grapefruit atop a female posterior.
I loved the book and kept it rather than follow Yoko's instructions to burn it afterward.
Yesterday I read it again. It is funny how one's perceptions change over thirty years for better or for worse.
My conclusion is that this book is a Master Piece.
Sorry Yoko!
Please experience this book. SERIOUSLY!
8 of 8 people found the following review helpful.
The Best Book You Will Ever Burn
By A Customer
Yoko Ono is one of the art worlds few and true originals. She is unique in everything she does,wether it be performance art or music. This book proves to be no exception. In Grapefruit Yoko lets you see into an avant-garde world that is bursting with imagination that can only be seen through her eyes. Lundy Eastepp
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