Sabtu, 22 November 2014

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Recessional and, the Moon of Other Days., by Rudyard Kipling

  • Sales Rank: #13242904 in Books
  • Published on: 2009-04-27
  • Original language: English
  • Dimensions: 6.25" h x .8" w x 4.50" l,
  • Binding: Paperback
  • 32 pages

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Jumat, 21 November 2014

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Joel-Peter Witkin: Vanitas offers a concise survey of one of the most controversial photographers alive. Since the late 1970s, Witkin’s black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, mutilations and similar themes have inevitably provided shock fodder to the religious right, while seeming to evoke an easy relationship to ideas of decadence and morbidity. For Witkin, the goal is simple: “I wanted my photographs to be as powerful as the last thing a person sees or remembers before death.” Witkin’s photographs offer up examples of life’s extremities as unblinking confrontations with mortality, whose power derives not merely from their content but from the keen compositional instincts governing that content. Witkin’s gift for still life and his use of religious motifs such as crucifixion and sainthood have been nourished by his appreciation of the likes of Francisco Goya, Odilon Redon and Hieronymus Bosch, whose examples he has translated for the concerns of the present. Witkin’s photographs have made a colossal impact upon contemporary culture, influencing artists such as the Chapman Brothers and Erwin Olaf, musicians such as Diamanda Galás and Trent Reznor, and the late fashion designer Alexander McQueen, among many others. Vanitas provides a cross-section of the artist’s work from the 1970s to the present. In addition to photographs, it includes many lesser-known drawings and paintings, as well as Witkin’s most recent, previously unpublished photographs. A bilingual (English/Czech) text by the art historian Otto M. Urban summarizes the development of Witkin’s life and work.
Joel-Peter Witkin was born in Brooklyn, New York, in 1939, and lives in Albuquerque, New Mexico.

  • Sales Rank: #1075249 in Books
  • Brand: Brand: Arbor Vitae
  • Published on: 2012-10-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 9.00" w x .75" l, 1.55 pounds
  • Binding: Paperback
  • 164 pages
Features
  • Used Book in Good Condition

Review
Witkin's bizarre explorations of pain, sex, death, morality and the human psyche are not for the faint of heart. "When people see my work, there is no 'gray area' of response," he notes in this wide-ranging retrospective. "What they experience is either love or hate." We're inclined toward the former. (American Photo)

Most helpful customer reviews

5 of 5 people found the following review helpful.
Not for the faint of heart
By Ronrey
Not for the faint of heart. Brutal yet beautiful. Morbid imagery, but not disgusting or distasteful. Joel-Peter Witkin does use real deceased human subjects in his photo surreal scenes, but it's not typically gory or focused on gore, blood and guts. It's more in the mind set of seeing the beauty in the decay. Life is not only about living, death is a part of life and life is a part of death, all of which can be seen as beautiful since you cannot have one without the other. It's complicated imagery that makes you think deeply, and sometimes cringe.

I would call it modern fine art / modern photography, but the imagery is timeless. He does do some post work in Photoshop or some other photo editing application to finalize many of his masterpieces.

6 of 8 people found the following review helpful.
Horror and Beauty
By Grady Harp
JOEL-PETER WITKIN: VANITAS was published last year in the Czech Republic. Conceived as a way to allow Witkin to comment on the creative nidus of his own creations this monograph presents a collection of Witkin's latest photographs, his retablos, created over the last three years. The monograph, in English and in Czech, with a text by the art historian Otto M. Urban summarizes the development of Witkin's life and work.

Witkin is a Brooklyn born photographers who stylized black and white portraits focus on still life and portraiture and stirs up controversy whenever they are shown. Witkin's black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, and mutilations and religious themes are the subjects and objects Witkin presents to us. For Witkin, the goal is simple: "I wanted my photographs to be as powerful as the last thing a person sees or remembers before death." Morbid to some maybe, but he photographs his subjects beautifully creating an atmosphere of decadence. His influences come from his appreciation of Goya, Odilon Redon Hieronymus Bosch, and Giotto. This book is a survey of his work from the 1970s to present day and presents a collection of Witkin's latest photographs, his retablos, created over the last three years.

The American photographer Joel-Peter Witkin, born 1939 in Brooklyn and now living in Albuquerque, NM, has been one of the most outstanding representatives in the world of photography since the end of the 1970s. His stylized black and white images are included in all major photography collections around the world. Witkin focuses mainly on still life and portraiture. His work presents a unique view of the contemporary world and he often works populated with bizarre creatures and themes have been described as `shock fodder' to the religious right due to references to religious themes (the crucifixion, saints, etc.) as well as to classical painting (Francisco Goya, Odilon Redon, Joan Miró, Hieronymus Bosch, etc. Also thanks to the work of Joel-Peter Witkin the concept of decadence and the decadent has recently emerged more and more in relation to contemporary art. The book represents a cross section of the artist's work since the 1970s to the present. In addition to photographs, lesser known drawings and paintings are also included in the book.

In Witkin's words, placed throughout the book, `My art is the way I perceive and define life. It s sacred work, since what I make are my prayers. I am not looking for sensations, even though I work with very striking elements. I merely want to express myself. Even though the elements may vary, the results should still aim to celebrate life and the positive side of it. They should educate us and lead us to greater love and mercy I only take photographs of what I believe in: if I show death, that is because even in that condition I recognize this power of reality that no imagined work can reproduce. I believe that Christ was a man who transcended this bodily form and became God: or to put it in terms of my personal belief - God placed on the man called Jesus the mask of Christ!'

This volume, perhaps more than any of his other monographs, reveals the artist behind the strange creations that have flowed from his creative mind throughout his career. The photographs, preparatory drawings, and incidental paintings (like story boards) provide insight into his genius. Grady Harp, May 13

4 of 5 people found the following review helpful.
Great book for my collection
By Andrew Lawrence Graham
Joel-Peter Witkin is a master at "out-of-the-box" thinking with a great sense of humor. Some of the art is not for the "faint of heart" but ALL of his art is inspiring and worth exploration. His art is beautifully executed as well, as is this book which is well done and the images well reproduced. I am delighted to add it to my collection.

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Selasa, 11 November 2014

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Regenerative Enterprise: Optimizing for Multi-capital Abundance, by Ethan Roland, Gregory Landua

In a world of damaged ecological and social systems, with a fragile global economy and a rapidly changing climate, business as we know it must evolve or perish.
It is no longer acceptable to create financial profits by extracting the foundational living wealth of our lands and waters. Enterprises need a new model with which to interpret the world, and a new process for whole-systems design and decision-making. The 8 Forms of Capital is that model. By articulating the multiple forms of capital with which we transact every day, it opens the door for an evolutionary approach to economics and profits.
Regenerative Enterprise defines the difference between degenerative, sustainable, and regenerative systems. It articulates the four factors of a regenerative enterprise, and the principles for designing regenerative enterprise ecologies.
The Regenerative Enterprise Institute also offers coaching and consulting services to enterprises and corporations that want to take the leap to regeneration.

  • Sales Rank: #300179 in eBooks
  • Published on: 2015-04-29
  • Released on: 2015-04-29
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Enterprise Ecosystems and Personal Maturation
By Will Szal
The book is the crystallization of the ideas coming out of a series of participatory design events focused on regenerative investment hosted by the Financial Permaculture Institute, in some of which I’ve been a participant.

The book is especially brilliant for two reasons:

The way it outlines the necessity of ecosystems of enterprises founded on the values of permaculture design
It’s emphasis on personal maturation, a topic which I’ve yet to see in other resources produced by the greater New Economics community
To answer the question of what is regenerative, I’ll start with a series of sweeping stereotypes summarizing the three fundamental types of economic models:

*The Eight Forms of Capital Model could assist in reaching a deeper understanding of the following overview.

I - Extractive

The extractive economy transforms living and cultural capital into financial capital through financialization. Profitability is tied to the effectiveness of an enterprises’ ability to externalize it’s impacts.

Poster child: ExxonMobil

II - Social

The evolution of the extractive enterprise over the years to it’s current form has horrified many to innovate. The dominant solution? Social enterprise.

Social enterprise has realized the shortcomings of extractive enterprise, and targets the limiting of it’s living and cultural impacts at one stage of its supply chain.

In some ways, social enterprise is less ethical than extractive enterprise. Nobody driving a Lamborghini claims to be helping the environment with that decisions. But many have been lulled into thinking that driving a Prius could actually help the environment. This fallacy is particularly dangerous because it soothes people into unconsciousness.

The issue here? The driver of the super car has a rudimentary consciousness of their impacts, and on some level, has consciously chosen their path. The driver of the hybrid has gone asleep, and well think they’re doing enough to “save the world” when they’re actually more locked into the paradigm than the driver of the super car.

Poster child: Toms Shoes

Highlighted Impact: Wealth disparity between first and third-world countries.

Unconscious Impact:
Manufacturing
Distribution
Lifecycle

Not that Toms doesn’t care about these issues. But if one were to create balance sheets for all three accounts - people, planet, and profit - the profit would come up in the black but the people and planet would still be left in the red. Just because there’s revenue doesn’t mean there’s net profit.

Why the mismatch? Even when a social enterprise has a strong mission, if it wants to grow it’s “impact” [a force embedded in our money and culture] it needs to tap into the extractive economy ecosystem. And even if our entire economy was composed of social enterprises, it would never become sustainable, because social enterprises aren’t based on a systems perspective.

III - Regenerative

Regenerative enterprise takes in financial capital and yields living and cultural capital.

As I point out in the last section, this is only possible with an ecosystem of enterprises that operate together. And different enterprises are optimized for different yields. Not every enterprise yields living and cultural capital. But they are functionally interconnected such that the synergies of the system net living and cultural capital.

Poster child: currently nonexistent, but under development

-

Enterprise Ecosystems

All enterprises are embedded in a greater web. One fundamental aspect of this universe is the interconnection of all components. The functionality and consciousness of this interconnection is vital.

Extractive enterprise operates in an ecosystem. If ExxonMobil needs IT solutions, it can turn to Alcatel Lucent and scale out instantly across operations in over a hundred countries. And then if Alcatel Lucent need to distribute it’s physical units, it can turn to UPS, a global parcel service. The effectiveness of this ecosystem at yielding financial profit in the short term can’t be underestimated. It’s “success” is based on the principle of functional interconnection.

But, partially due to the anonymity synonymous with financial capital, feedback loops surrounding living and cultural stocks are predominantly unconscious. Not with regenerative enterprise.

-

Personal Maturation

The shift from social to regenerative is a cultural shift, a paradigm shift. It doesn’t happen overnight, and it doesn’t happen easily. People going through this shift need a lot of personal support, and need the courage to seek support and confront their deepest fears. Understandably, the dominant paradigm of extraction trains us to suppress the most effective methods of dealing with these issues.

Supporting people in this deep personal work of holistic maturation is an aspect of my life’s work. Bill Plotkin gives an excellent overview of of these ideas in his book, “Nature and the Human Soul.”

-

In summary, “Regenerative Enterprise” is a phenomenal read, and I’d highly recommend it to anyone in the new economics and permaculture movements.

1 of 1 people found the following review helpful.
An important contribution to how we think about capital and business.
By Amazon Customer
This book is an important contribution to the conversation on how to shift to a healthier, happier, more abundant planet. By looking deeply at our economic systems and recontextualizing the concept of capital, Regenerative Enterprise shows us how we as individuals as well as society can "include and transcend" capitalism as we know it. It's time for positive change, and the authors demonstrate that it is already happening. I highly recommend this read to all who are interested in what role enterprise can take in the global shift toward holistic health.

1 of 1 people found the following review helpful.
Excellent thinking and real world experience
By MJ
These authors are actually doing what they write about. This book should be required reading for all business students. It's relevance is well worth the read for everyone and especially useful for those who are trying to change the world.

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GeoServer is an open source server-side software written in Java that allows users to share and edit geospatial data. Designed for interoperability, it publishes data from any major spatial data source using open standards. GeoServer allows you to display your spatial information to the world. Implementing the Web Map Service (WMS) standard, GeoServer can create maps in a variety of output formats. OpenLayers, a free mapping library, is integrated into GeoServer, making map generation quick and easy. GeoServer is built on Geotools, an open source Java GIS toolkit.

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After reading the GeoServer Beginner’s Guide, you will have beautiful, custom maps on your website built using your geospatial data.

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Step-by-step instructions are included and the needs of a beginner are totally satisfied by the book. The book consists of plenty of examples with accompanying screenshots and code for an easy learning curve.

Who this book is for

You are a web developer with knowledge of server side scripting, and have experience with installing applications on the server. You have a desire to want more than Google maps, by offering dynamically built maps on your site with your latest geospatial data stored in MySQL, PostGIS, MsSQL or Oracle. If this is the case, this book is meant for you.

  • Sales Rank: #780992 in eBooks
  • Published on: 2013-02-21
  • Released on: 2013-02-21
  • Format: Kindle eBook

About the Author

Stefano Iacovella

Stefano Iacovella is a long-time GIS developer and consultant living in Rome, Italy. He also works as a GIS course instructor.

He has a Ph.D in Geology. Being a very curious person, he has developed a deep knowledge of IT technologies, mainly focused on GIS Software and related standards.

Starting his career as an ESRI employee, he was exposed to and became confident with proprietary GIS Software, mainly the ESRI suite of products.

For the last 10 years, he has been involved with open source software and also the task of integrating it with commercial software. He loves the open source approach, and really trusts in the collaboration and sharing of knowledge. He strongly believes in the concept of open source, and constantly strives to spread it, and not only in the GIS sector.

He has been using GeoServer since the release of Version 1.5; configuring, deploying, and hacking it in several projects. Some of the other GFOSS projects he mainly uses and likes are GDAL/OGR libraries, PostGIS, QGIS, and OpenLayers.

When not playing with maps and geometric shapes, he loves reading about science, mainly physics and math, riding his bike, and having fun with his wife and his two daughters, Alice and Luisa.



Brian Youngblood

Brian Youngblood is a open source developer living in Montgomery, AL with more than a decade of experience developing, integrating, and managing high traffic websites.

Brian was the Online Operations Manager and Technical Lead at the Southern Poverty Law Center for over 12 years. The SPLC is a nationally recognized nonprofit, and its websites SPLCenter.org and Tolerance.org have continued to get sharp increases in visitors year-on-year, resulting in growth in its online operations with open source. The SPLC won two Webby Awards in 2002 and 2004.

Brian was also the founding partner and Chief Technology Officer for IntelliTours, a GPS-guided multimedia tour. He worked with several companies developing hardware and software including Alcorn McBride, Volkswagen, and Garmin. His work explored San Diego, Santa Cruz, Hawaii, and miles and miles of I-95 on the East Coast. Most notably, his work was featured on the cover of Entertainment Engineering magazine, Martha Stewart radio, the LA Times, and NPR.

Embracing the spirit of other open source communities such as Drupal, and a combined passion for scalable GIS solutions, led him to adopt GeoServer for rapidly changing geospatial data stores.

You can contact him at brian@brianyoungblood.com or follow him on twitter @brianyoungblood.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Excellent guide for start and becoming proficient with GeoServer
By Paolo Corti
I have enjoyed very much to read this book. I have been exposed marginally to GeoServer in the last years, but in the last few months I have been starting using it quiet extensively, so it was nice that this book just came out now.
First, the writing style of the authors is pleasant and clear, and they manage to teach you a difficult framework in a very structured and efficient way.
Most of the concepts taught in the book can be mastered also from online resources, but in my opinion the book is very well structured and it is very nice to have everything packed in a single book.
The books can be divided in two parts: an introductory part from chapter 1 to chapter 6 and a more advanced part from chapter 7 to chapter 12.
I found the first part a bit boring, maybe because I already mastered most of the concepts with the practice, but found the second more advanced part extremely interesting.
Chapter 1 gives you a gentle introduction to GIS in case you have not experience with it.
In chapter 2 there is everything you need to know to install GeoServer and all of its components.
Chapter 3 gives a tour of the administrative interface.
After an introduction to WMS and WFS in chapter 4, in the following chapter the book explain how to add your own data in some of the most common formats (shapefiles, PostGIS, GeoTiff, Oracle Spatial and MySQL spatial) and expose them as web service.
Chapter 6 is a long description on how to implement styles using the SLD OGC standard.
Then from chapter 7 it starts the challenging part of the book: here you will get the basics to create very basic viewer with JavaScript framework such OpenLayers, GoogleMap API and Leaflet.
Chapter 8 gives a gentle introduction on how to dramatically boost WMS performance using a caching solution with the GeoServer caching integrated tool: GeoWebCache.
Chapter 9 gives an overview to GeoServer REST interface: this is extremely useful if you are planning to programmatically access to GeoServer. Using REST it is possible to do almost everythin that could be done using the administrative interface, but using code in any language. The chapter is rich of sample using the curl command line utility and Python.
Chapter 10 explain GeoServe security (Users, Role and groups), while chapter 11 gives you all the tips needed to use GeoServer in production: Java configuration parameters, disabling unused services, setting of an Apache proxy, and (this is a gem in my opinion, and it has a very clear hand on) how to configure a cluster of GeoServer instances for scaling out.
Finally, in the last chapter, the authors provide some more details about WFS and WCS OGC standards.
To conclude this review: this is really an excellent book that provide a very good insight to the beginner, but also give you more advanced details to the experienced users. If you are serious about GeoServer development, this is a must have book.

0 of 0 people found the following review helpful.
A great geo data server.
By NemoM
I work for a County government as the GIS (computer mapping) guy. Our County is very sparsely populated, so we don't have a large budget, but we still need to supply our residents with all that we can. I've been working on setting up web maps; parcels, timber sales, motorized and non-motorized trails, and land sales. A combination of Geoserver, OpenLayers, JavaScript, jQuery, and jQuery Mobile on a VPS running CentOS makes a wonderful map.

2 of 2 people found the following review helpful.
not only for beginners!
By Michele B.
Who has had the idea of entitling this book "Beginner's guide"? This manual is much much more! Actually, besides supplying beginners with the basics of GIS and Geoserver, it can well work as an operational manual at a more specialized level. Since several years I've been working with this software (Geoserver) for job, and therefore I have matured a certain experience; in the book I found some information on Geoserver that previously I could obtain only through several researches in websites and thematic forum. I've appreciated very much the "practical" sections and the multi-choices quiz that invite the reader to think again to what he has previously read and, possibly, to read it once more.

The section on GIS basics is very important because the given notions help in understanding and fully exploiting the potential of Geoserver; I've enjoyed very much to successfully execute on an ubuntu-like system the detailed and precise procedure for installing Geoserver and all necessary software. Chapters 3, 4 and 5 gradually introduce the reader into the secrets of the management interface and to the way of accessing and loading spatial data. Also in this case I've tried to execute the described procedures by following the tips of the authors: surprise! I've found myself perfectly comfortable both as an "absolute beginner" and as a GIS expert. The descriptions and the observations on the "WMS reflector" functionality are very useful, since this tool helps the user to publish spatial data according to his own needs.

Also in chapter 6 the approach is very "soft", since it introduces the reader to the basics of the largely applied OGC standard; but then, gradually, the book checks the reader's abilities with the practical section "time for action", sums up the notions he has just learned with "What just happened?" and finally brings him to dare with the section "Have a go hero".

In my opinion, from chapter 7 on, topics switch to an intermediate level: implementation of simple webgis applications, configuration of geowebcache software to enhance performances, description of REST interface to automatize tasks, up to the very important topic of security are treated. Nevertheless, the confidential tone, the numerous references to examples and practical procedures, together with the concepts learned in the previous chapters, allow even the less expert reader to try to implement and manage a simple spatial data infrastructure.

Chapters 11 e 12 are really appreciable: they list and describe the basics (and not only) for tuning Geoserver and enhancing its performances in enterprise environments, and how to manage "troubleshooting" also by means of several active "mailing lists". I've been impressed by finding in about 30 well organized pages all the useful references, which makes this book resemble a real, easy-to-use and complete "practical handbook" To sum up, I think that this book is suitable and complete both for those who approach Geoserver for the first time and for those who work daily with this software."

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Minggu, 09 November 2014

[A353.Ebook] Download Ebook Physics Qualifying Examination, by Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr.

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To get over the issue, we now supply you the modern technology to obtain guide Physics Qualifying Examination, By Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr. not in a thick published file. Yeah, checking out Physics Qualifying Examination, By Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr. by on-line or getting the soft-file just to review could be among the ways to do. You might not really feel that checking out a book Physics Qualifying Examination, By Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr. will certainly work for you. Yet, in some terms, May people successful are those which have reading behavior, included this sort of this Physics Qualifying Examination, By Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr.

Physics Qualifying Examination, by Horacio A. Farach, Charles P. Poole Jr., John L. Safko  Sr.

Physics Qualifying Examination, by Horacio A. Farach, Charles P. Poole Jr., John L. Safko Sr.



Physics Qualifying Examination, by Horacio A. Farach, Charles P. Poole Jr., John L. Safko  Sr.

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Physics Qualifying Examination, by Horacio A. Farach, Charles P. Poole Jr., John L. Safko  Sr.

Designed for use in tandem with the 'Handbook of Physics', this volume is nonetheless self-contained and can be used on its own.
The chapters are based on lectures delivered annually by Professor Poole in a course to prepare students for their PhD qualifying examination in the physics department at the University of South Carolina. The book contains 120 selected problems (and answers) that appeared in these examinations, and each one refers to the chapter in the Handbook that discusses the background for it. Professor Farach has kept a record of all the qualifying examinations in the department since 1981.
It covers all relevant physics subjects, which are otherwise scattered in different preparation publications or university scripts, including:
* Atomic and General Physics
* Condensed Matter Physics
* Classical Mechanics
* Electricity and Magnetism
* Elementary Particle Physics
* Nuclear Physics
* Optics and Light
* Quantum Mechanics
* Relativity and Astrophysics
* Thermo and Statistical Mechanics

An excellent self-study approach to prepare physics PhD candidates for their qualifying examinations.

  • Sales Rank: #2768854 in Books
  • Brand: Brand: Wiley-VCH
  • Published on: 2010-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .55" w x 6.70" l, 1.15 pounds
  • Binding: Paperback
  • 267 pages
Features
  • Used Book in Good Condition

From the Back Cover
Designed for use in tandem with the Handbook of Physics, this volume is nonetheless self-contained and can without difficult be used on its own. The chapters of the Handbook are based on lectures delivered annually by Professor Poole in a course to prepare students for their Ph.D. qualifying examination in the physics department at the University of South Carolina. The present book contains 120 selected problems (and answers) that appeared in these examinations, and each one refers to the chapter in the Handbook that discusses the background for it.

The book covers all the relevant subject, which appear on typical Physics Department qualifying examinations, including:

  • Atomic and General Physics
  • Condensed Matter Physics
  • Classical Mechanics                                                                
  • Electricity and Magnetism
  • Elementary Particles Physics
  • Nuclear Physics
  • Optics and Light
  • Quantum Mechanics
  • Relativity and Astrophysics
  • Thermo and Statistics Mechanics

This book provides and excellent self-study approach to prepare physics Ph.D. candidates for their qualifying examinations. 

About the Author
Horacio A. Farach received his Ph.D. degree in Physics from the University of Buenos Aires in 1956. He moved to the University of South Carolina in 1966, where he spent 40 years working in collaboration with Professor Charles Poole. Together they have published 13 books and more than 150 research papers. Professor Farach is a member of the Academy of Sciences of Argentina and has received numerous awards - University, National, and International - in both research and teaching. He is a Fellow of the American Physical Society.

Charles P. Poole, Jr. is professor emeritus in the Department of Physics and Astronomy at the University of South Carolina. He is the author or coauthor of a dozen books, including 'Superconductivity and Introduction to Renormalization Group Methods'. He has taught qualifying examination preparation courses for more than two decades.

John L. Safko received his Ph.D. degree in physics from the University of North Carolina at Chapel Hill in 1965. From 1964 to 2001, he consecutively held positions as assistant, associate, and full professor at the University of South Carolina, from 2001 to 2002 that of a distinguished professor, after which he took retirement. Professor Safko is a Fellow of several societies, among them the American Association for the Advancement of Science, and has published numerous books and papers.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Good easy-medium difficulty problems
By S. Yi
The book has pretty good amount of problems, but they're more on the easier side.
Good organization. Easy to find problem-solution pairs.
Very few statistical mechanics problems, so find another source to study for stat mech.
Biggest problem I have with this book is there are a lot of errors/typos in the solutions. Most of these errors are easy to tell (if you're really getting ready for a qualifying exam, hopefully you can pick these up).

See all 1 customer reviews...

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Sabtu, 08 November 2014

[L746.Ebook] Download Ebook A Writer's Coach: The Complete Guide to Writing Strategies That Work, by Jack R. Hart

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A Writer's Coach: The Complete Guide to Writing Strategies That Work, by Jack R. Hart

A Writer's Coach: The Complete Guide to Writing Strategies That Work, by Jack R. Hart



A Writer's Coach: The Complete Guide to Writing Strategies That Work, by Jack R. Hart

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A Writer's Coach: The Complete Guide to Writing Strategies That Work, by Jack R. Hart

Mystified over misplaced modifiers? In a trance from intransitive verbs? Paralyzed from using the passive voice? To aid writers, from beginners to professionals, legendary writing coach Jack Hart presents a comprehensive, practical, step-by-step approach to the writing process. He shares his techniques for composing and sustaining powerful writing and demonstrates how to overcome the most common obstacles such as procrastination, writer’s block, and excessive polishing. With instructive examples and excerpts from outstanding writing to provide inspiration, A Writer’s Coach is a boon to writers, editors, teachers, and students.

  • Sales Rank: #167610 in Books
  • Model: 1763265
  • Published on: 2007-08-14
  • Released on: 2007-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .63" w x 5.19" l, .50 pounds
  • Binding: Paperback
  • 304 pages

From Publishers Weekly
Good writing can dance, according to Jack Hart, "writing coach" and managing editor at The Oregonian. It has a rhythm "that pleases in its own right, creating cadences that give pleasure, regardless of content." This guide is intended to nudge insecure writers-especially those in the early stages of honing their craft-in the direction of their keyboards with practical tools for how to achieve clear, forceful and effective writing, no matter the subject. Hart's experience as a newspaperman is perhaps his greatest asset here; focused and clutter-free, chapters follow a logical learning sequence complete with one-word chapter titles ("Method" "Process" etc.) that get right to the point. His narrative tone is accessible and engaging, with anecdotes and advice from seasoned colleagues in the industry. Though positioned as a guide for tackling anything from a personal letter to a memoir, Hart's examples and terminology lean heavily on newspaper and feature writing, which may frustrate some creative types. That journalistic approach (which Hart freely admits to in the book's introduction), however, makes for an insightful, methodical approach to developing an idea into a story. Structured more like a textbook than a general professional development or trade title, this makes an ideal addition to the classroom.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although Hart addresses his pithy writing guide to those working for newspapers and magazines, the managing editor of the Portland Oregonian offers such practical yet inspirational advice that both aspiring and longtime writers in any discipline would benefit from reading his book. He immediately strips away the mystique that often surrounds the writing process: "Great writing happens not through some dark art, but when method meets craft." He shoots down a litany of angst-ridden complaints, including writer's block and keyboard anxiety, with hard-nosed insight gleaned from years of working at a daily newspaper. Emphasizing that most of the work of writing comes in the thinking and information-gathering stages, Hart gives a finely detailed analysis of the steps needed to efficiently produce a finished piece. He also provides many excerpts from excellent writers illustrating the value of rhythm, color, and voice, and points out common pitfalls, such as spending too much time polishing the final draft instead of organizing the initial one. Best of all, Hart's writing is a model of the craft he so eloquently dissects. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Review
“Wise, practical and smart, A Writer's Coach is an exceptional book, offering advice with good humor and great insight.”—Susan Orlean, author of The Orchid Thief.“A helpful and informative guide to ‘words that work,’ covering such essential writing topics, as clarity, rhythm, mechanics and voice.”—The Seattle Post-Intelligencer“Offers such practical yet inspirational advice that both aspiring and longtime writers in any discipline would benefit from reading his book. . . . Best of all, Hart's writing is a model of the craft he so eloquently dissects.”—Booklist“A hands-on guide remarkable for its completeness, its clarity, and its passion....towers above others of its kind.”—William Blundell, author of The Art and Craft of Feature Writing

Most helpful customer reviews

59 of 60 people found the following review helpful.
Keeping words square with the world.
By RRReader
Writing coach Jack Hart just published the best book about the craft of writing since William Zinsser's classic "On Writing Well."

"A Writer's Coach: An Editor's Guide to Words that Work," comes at a good time. Bad books come out of printing houses, magazines disappear, and newspaper continue to commit slow suicide, writing about government infrastructure or "converting" to online under the theory that two-paragraph text information bursts are what readers desperately crave.

(Actually, what readers crave is video, a lot more video than writers or newspapers are giving them...but fundamentally, with that video, what they really want are STORIES).

Jack is a writer's editor who knows how to build great stories. Readers might want more video these days, but they have hungered for good stories since long before a blind Greek began to dictate the first chanting lines of the Iliad. The online world will figure this out, probably sooner rather than later, and when they do, the reading public will find good stories, video and text, all of them containing the same fundamentals that Homer used to create his masterpieces. There are 12 fundamentals, actually: Method, Process, Structure, Force, Brevity, Clarity, Rhythm, Humanity, Color, Voice, Mechanics, Mastery.

Those are Hart's 12 chapter headings in "Writer's Coach, but they were the 12 tools of Homer and Aeschylus and Shakespeare and Orson Welles and Steven Spielberg and any storyteller who's ever captivated an audience.

What appears underneath those simple chapter headings is some of the best instruction anyone could have about how to become a skilled writer, and Jack does it by bringing clarity to the most complex ideas One of the hardest writing concepts I ever tried to memorize, for example, is the "ladder of abstraction," the profound idea that all words exist on a continuum running from the absolutely concrete to the cosmically abstract. It's a valuable idea for a writer to memorize, and in the ten years since I encountered it I could never make it stick in my head, until I saw this in Jack's chapter called "Color." Here's a ladder anyone can grasp:

LADDER OF ABSTRACTION:

Everything there is

Living things

Vertebrates

Humanity

Americans

American truck drivers

Portland truck drivers

Acme Freight truck drivers

Fred

Jack's book demystifies writing while deftly explaining the classic underpinnings of writing as classic art. As a newspaper editor he's edited two Pulitzer-prize-winning stories and contributed to a third; he`s long been known as one of the great coaches of writing in the country. In each chapter, he takes apart the mechanics of writing the way a gifted mechanic take apart a car, showing in an engaging way how each part works and how it all fits into a whole. For anyone like me who desperately wants to get better at writing, this is the book to have.

The best part about this is that Jack lets loose the confident and catty soul of wit. Turn to nearly any page, and you'll see it:

"Some writers bristle at the very sound of the word `outlining.' But please put aside all those negative connotations that linger from the outlines your grade school teachers forced you to do. Forget Roman numerals. Forget subheadings and sub-subheadings. All you need is a quick-and-dirty summary that cuts right to the key points."

/

"Why should writing be agony?" he asks. "Physically, writing's relatively easy work. Take it from a guy who's loaded log ships, pumped gas, and tarred roofs in the midsummer sun. Writers work on their butts and out of the weather. So what's with all the whining?"

/

"Of all the devices that can add humanity to your writing, the direct quotation is the most overused. A newspaper sports story or a traditional news feature may contain a direct quote in every other paragraph, a practice that usually produces a parade of inane or merely dull utterances. Great magazine writers repeatedly demonstrate that the direct quote is expendable, writing five thousand words or more without resorting to one direct quote."

Reading Jack's book about craftsmanship reminds me of a crew of workmen I worked for in the summer of 1975. The carpenters were small-town men from Kansas who chewed tobacco, talked wistfully about women, drank cheap beer in their private hours, and paid attention to the exactness demanded by their craft. Every move they made had a purpose: "Keepin' everything square with the world," they called it. They used chalked string snap-lines to quickly lay down a straight line on a row of boards to make a cut; they used levels to keep the floors and stud boards straight; they studied diagrams, placed boards and made cuts in a sequence that put a building together that could stand for centuries. They knew the names, purposes and nuances of every tool, every grain of wood and every sequence of process that they laid their hands to.

Most writers, in contrast, just start typing, which is why so many stories fall apart in their hands or don't get read by an audience.

Not one of those carpenters, as far as I know, has ever attended the Poynter Institute's national writing workshops, or the annual Nieman Narrative Writing conference in Boston, where Jack speaks to packed rooms; but those guys with the toolkits would have recognized him as a craftsman. Great writing is mostly craftsmanship, with just a brushstroke of art, and Jack is an engaging teacher of both.

Here is Jack, explaining why writers write badly, or succumb to writers' block, or see a story with great potential fall apart in their hands:

"The tendency to see the task ahead as overwhelming explains most keyboard anxiety. For a variety of reasons, we view writing from the back end. Day in and day out, we witness the finished work of accomplished writers. In our minds' eye we stroll down street after street of beautiful homes, ignorant of the piece-by-piece construction that created them, one two-by-four at a time. `Look at that gorgeous building,' we think. `The craftsmanship. The detail work. The sheer size of the thing. I could never build something like that.' "

Jack explains all, from how to conceptualize and create to how to begin laying out steps that make a story stand tall.

Other samplings from the book:

"The secret to writing well is in the process, not the finished product. You get better not by sitting down at the keyboard and trying to match the finished work of good writers, but by changing the way you work.

/

"Think first; write later. Why hurry to the keyboard if you're just going to sit there, stressing out and string at a blank screen? Pave your way to a first draft with some sort of rough plan. Scan your notes. Jot down key points. Ask yourself some questions. If you have two hours to write, take an hour to prepare. If you're fifteen minutes from deadline, take five to think."

/

"Shrink your subject. Most of us are way too ambitious when we set out to write. So we end up with a Missouri Basin phenomenon---a flood that's a mile wide and an inch deep. Give your readers some depth so that they can enjoy the water. Pick the most interesting, unusual, or surprising aspect of your subject and dive in."

34 of 35 people found the following review helpful.
Finally, a well written book for writers!!
By Hedwig of NC
Books on writing are often too general to be of any use. That's the reason I rarely recommend writing books. In fact, the only two books that I've recommended are McKee's "Story" and Franklin's "Writing for Story." But now I've added another to my list: Jack Hart's "A Writer's Coach."

Although aimed primarily at journalists (in the same way that, say, McKee is aimed at screenwriters), this book will be immensely useful to anyone who takes the writing craft seriously, no matter what they write. In fact, "A Writer's Coach" is an excellent companion to McKee and Franklin because it covers topics not covered by them. Hart's section on "color" alone is worth the price of the book (in it he explains the Ladder of Abstraction). But there are plenty of other useful topics/items as well, including the sections on endings, clarity, humanity, and the "Selected Resources for Writers" in the back.

The book is well organized and easy to read/navigate. I've worked as a freelance writer since 1999, but this book taught me a few things that I didn't know. My plan was to read only a few pages every night before bed, but this book is so good I've been staying up half the night reading it!

If you're a writer who is passionate about learning craft, buy this book.

3 of 3 people found the following review helpful.
An essential for non-fiction writers
By Jerry Saperstein
Writing is intrinsically a lonely calling. It's you, your thoughts and the blank page, whether electronic or paper. As the title implies, "A Writer's Coach" should be your coach, sitting at your side especially in the moments when you firmly believe that you have absolutely nothing of any interest to say and, in any event, no one would care even if you managed to scratch out a few words.

Jack Hart aims to remind those of us who are dependent on our ability to put words on paper in a meaningful way, that there is rhyme and reason to what we do, that there are rules which if followed will let us get from the first word to the last and remain interesting to our reader.

In twelve succinctly entitled chapters, Hart sets forth the basics that many of us forget from time to time and that others have never learned. Method; Process; Structure; Force; Brevity; Clarity; Rhythm; Humanity; Color; Voice; Mechanics; Mastery. And throughout the twelve chapters, Hart displays his command of each and every quality he describes and teaches.

His style is up close and personal. Hart writes in a way that emulates the well spoken word. This book could easily be read aloud and would flow as smoothly as warm maple syrup. Aimed primarily at journalists who have to turn out (hopefully) polished writing on a daily basis, "A Writer's Coach" is invaluable to anyone writing non-fiction. I write primarily for an audience of lawyers and judges and found virtually every word of Hart's advice valuable. If anything, my audience has less patience thank the average reader.

Hart is a teacher - and it shows. He is, in fact, a fine teacher. The book is loaded with examples, many of them of the "don't you be doing that" variety which are sure to provoke a belly laugh or two.

Like it's human counterpsrt, "A Writer's Coach" should be at the writer's side, day in and day out. This book is the perfect thing to pick up on a daily basis and just read and read again its nuggets of advice. It is also a way to feel that others know your angst as you try to produce strings of words that will inform, persuade and occasionally even enlighten.

Jerry

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CourseMate Printed Access Card for Benokraitis' SOC, 3rd, by Nijole V. Benokraitis

Cengage Learning's Sociology CourseMate brings course concepts to life with interactive learning, study, and exam preparation tools that support the printed textbook. Watch student comprehension soar as your class works with the printed textbook and the textbook-specific website. Sociology CourseMate goes beyond the book to deliver what you need!

  • Published on: 2013-01-01
  • Binding: Printed Access Code

About the Author
Nijole V. Benokraitis, professor of sociology at the University of Baltimore, received a B.A. in sociology and English from Emmanuel College, an M.A. in sociology from the University of Illinois at Urbana, and a doctorate in sociology from the University of Texas at Austin. She has served as both chair and graduate program director of the University of Baltimore's Department of Sociology and has chaired numerous university committees. She has authored, coauthored, edited, or coedited eight books, including CONTEMPORARY ETHNIC FAMILIES IN THE UNITED STATES: CHARACTERISTICS, VARIATIONS, AND DYNAMICS; FEUDS ABOUT FAMILIES: CONSERVATIVE, CENTRIST, LIBERAL, AND FEMINIST PERSPECTIVES; MODERN SEXISM: BLATANT, SUBTLE, AND COVERT DISCRIMINATION; and SEEING OURSELVES: CLASSIC, CONTEMPORARY, AND CROSS-CULTURAL READINGS IN SOCIOLOGY. In addition, she has published numerous articles and book chapters on such topics as institutional racism and discrimination against women in government and higher education.

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[B416.Ebook] PDF Download Patty Fairfield, by Carolyn Wells

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Patty Fairfield, by Carolyn Wells

"How old are you, Patty?" asked her father, abruptly. "Fourteen, papa,—why?" "My conscience! what a great girl you're getting to be. Stand up and let me look at you." Patty Fairfield, with two twists and a spring, brought herself to her feet, and stood awaiting her father's inspection.

  • Published on: 2015-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .20" w x 6.00" l, .29 pounds
  • Binding: Paperback
  • 88 pages

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9 of 9 people found the following review helpful.
First of a great series
By Amazon Customer
this isn't the best of Carolyn Wells' Patty Fairfield books, but it's the first, and it sets the scene for the rest of the series very enjoyably. Fourteen-year-old Patty Fairfield's father sends her to visit four different aunts in order to learn how their families live, and Patty learns about proportion, and what is needed for a comfortable home. She also goes to quite a few parties, and wears some nifty outfits--if you can ignore the fact that this was first published in 1901, smack in the middle of one of the more unattractive periods in the history of costume.

1 of 1 people found the following review helpful.
Childhood favorite
By MJ
I read the Patty Fairfield books when I was about 9 or 10, and have enjoyed revisiting them as an adult. Like Downtown Abbey, they give you glimpses of a world very different from the one we live in today. While Patty and her family are not upper class, they are upper middle class, and I remember being fascinated with their lifestyle of parties, long visits to friend and family, entertaining, charity functions, etc. It's interesting now to place all that in historical context (something I didn't do as a child) and to contrast her expectations and her level of sophistication with that of young women her age in the 21st century.

They're not great literature by any means, but they are fun and bring back memories of my own childhood, when I enjoyed reading the books my mother had read when she was growing up.

3 of 4 people found the following review helpful.
cute
By michelle
i think this is the first of the "Patty" series. after reading it i immediately started the second, "Patty at home". so i obviously enjoyed it.... even though its meant for young adults or pre-teens:)

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Sheila came to the farm to bust up the illegal Hucow ring, but she found herself on the wrong end of the law as the tables are turned and she must take a dose of her own medicine. Two strong, powerful farmhands lead her to the milking barn where she is relieved of both her dignity and her rich cream. Will they take her hard and without protection or will she find a way to wiggle out of the mess she made? Take a peek inside for a hot preview and pick up your copy today!

  • Sales Rank: #203895 in eBooks
  • Published on: 2015-02-18
  • Released on: 2015-02-18
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
intrigued cop
By Erin
As a cop she wants to do something about this special farm.
She has a look inside and is intrigued with what she sees.
When she has to take a pill herself everything changes in a very hot way for her.
I like the last page, nice twist.

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